The Dancing Stones of Namoratunga

Excerpt from Pirates by Greg Cummings:

Night had fallen and they needed to find somewhere to camp. The lakeshore was still a way off, yet the smell of sulphur blowing across the flats from Lake Turkana was overwhelming. Their surroundings were astonishingly serene, and there was not a wisp of cloud anywhere in the sky. Billions of stars were scattered across it, of such magnitudes they lit up the earth more vividly than a full moon. It was as though the universe had flipped and they were standing upside down in a stellar millpond. Although sodden, their clothes were quickly drying in the warm, parched air. “There’s definitely an otherworldly quality to this place,” said Derek, wringing the water from his scarf. 

“I know,” said Abdulmajid. “It scares me.” 

“Somewhere near here is where they found Nariokotome: Turkana boy, a one-and-a-half-million-year-old hominid.”

“Who?” asked Abdulmajid.

“Homo ergaster, one of your earliest ancestors.”

“Your ancestor, maybe,” laughed Abdulmajid.

“I’m telling you,” insisted Derek, “this is one ape you’d be proud to call Grandpa. He was an incredibly fast runner, and the stone tools he used were far more advanced than anyone expected to find from that far back in time.” 

“I guess Nariokotome liked his high-tech gadgets just as much as the next guy,” grinned Abdulmajid.

“You could be kicking some of Nariokotome’s bones around as you walk.”

“It certainly feels like a graveyard.”

“What the hell’s this?” gasped Derek, stopping suddenly. Spread out before them, across an area ten by twenty metres in size, was an array of stone pillars averaging a metre in height and protruding at different angles from a layer of smaller stones. “Sure is one incredible sight out in the middle of nowhere,” he whispered, touching the tops of the shiny basalt monoliths as he walked between them. Some had pebbles on top of them, laid out in figures of eight. “I would say this place definitely serves some sort of scholarly purpose,” he added. “Look at the way they’re all arranged. It’s like a miniature Stonehenge.” 

Abdulmajid wasn’t as keen to go wandering through them. “Could these be the Dancing Stones of Namaratunga?” he asked, scratching his chin. 

“The dancing stones of what?”

Just then a voice spoke from the darkness beyond the pillars. “The Turkana believe they were dancers who were turned to stone after they mocked a malevolent spirit.” Derek and Abdulmajid both looked up in amazement. Making his way towards them was a slender old man dressed in an orange and blue tartan fabric tied around one shoulder, and carrying a stick and a small wooden neck-rest-cum-stool in his hand. “Hello. How do you do? My name is Gabriel Lokonyi,” he said, extending a lithe hand. 

Derek hesitated, then reached out and shook the man’s hand. “Derek Strangely.”

“You speak like an Englishman,” said Abdulmajid, coming as close as he dared. “Are you a guide here?” 

“You could say that,” chuckled Gabriel, grinning toothlessly at the two of them while puffing on a clove cigarette. “I’m a palaeontologist. As for my accent, I got that serving in the King’s African Rifles during World War Two.”

“Ah, a war veteran. You have my greatest respect. Abdulmajid is my name.”

“Thank you,” replied Gabriel. 

“I’m curious to know the story behind these stones,” said Derek.

“It’s an observatory,” he replied.

“You see,” laughed Derek. “I knew they served a purpose.”

“Each stone corresponds to a different point on the horizon where seven star clusters rise,” he continued. “Or, should I say, used to rise, in 300 BC.”

“Wow! A two-thousand-year-old observatory…out here in the middle of nowhere. I had no idea such a place existed.”

“Was it the Turkana who made this?” asked Abdulmajid.

“No,” said Gabriel, raising his eyebrows. “They were here when the Turkana arrived. We don’t know much about who made them. Maybe Borana cattle herders from Ethiopia, as they were noted astronomers.”

“Which selected stars do they correspond to?” asked Derek.

“Ah, a fellow astronomer, I see,” said Gabriel, reaching into his tartan and removing a card to show to Derek. It was a simple diagram showing the positions of the pillars transected by long arrows, delineating lines of sight to the points on the horizon where each star rose. “The seven harvest stars from the Borana calendar,” said Gabriel, who then proceeded to point to each object in the sky as he read its name on the card: “Bellatrix, the belt of Orion, Saiph, Sirius, Aldebaran, Pleiades and Triangulum.”

“I can see why they would build an observatory here,” breathed Derek. “There is just so much horizon, bound to an almost perfect semi-sphere of celestial night sky.”

“And plenty of fish in the lake,” added Abdulmajid.

“Nile perch, crocodile, hippo, soft-shelled turtles,” laughed Gabriel. “Who wouldn’t want to settle here?”

“There’s something of the supernatural about this lake,” whispered Derek. 

“Anam is a sacred spring,” said Gabriel, seating himself on his little stool, with his back against a pillar, “the beginning and the end of all rivers.” He gazed out across the flats to the lake, a distant placid sheet that mirrored the sky in every detail. “It was once a vast oasis, you know, a much wider lake that drained into the River Nile. Eight thousand years ago it would have been lapping at our feet.”

“Why does it all seem so strangely familiar?” sighed Derek, sitting down beside him. Abdulmajid remained standing.

“All human beings possess a memory of this place,” continued Gabriel. “It’s midpoint on the path our gracile ancestors took out of the heart of Africa. From here you can see everything, both in time and space, and in any direction.” Derek glanced at Gabriel. The twinkle in the old Turkana’s eye suggested a fondness for riddles, and did much to compensate for his complete lack of teeth. “Come,” the old man laughed, “let us make a fire to dry your damp clothes. Are you hungry?”

Pirates is available on Amazon

"That's Right, She's In The Boat, Only The Boat Is Gone..."

While web surfing for lost gems by Lauren Bacall (may she rest in peace), I stumbled on this review, from a 1951 newspaper, of Bogie and Bacall's performances in Bold Venture.

The couple transcribed the radio series before leaving for the Congo jungle to shoot The African Queen. In that movie, Bogart's portrayal of the rough-and-ready Canadian boat captain Charlie Allnut, for which he won his only Academy Award, is my favorite.

Listening to back-to-back episodes of Bold Venture's raunchy tales of mystery and intrigue, one can hear him developing the character of Allnut.

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Radio In Review

By John Crosby

Sex, Vioence, And The Bogarts

WHEN LAST heard from, Humphrey Bogart and his wife, Lauren Bacall, accompanied by Katherine Hepburn, were plunging through Africa, making a picture. This must be easily the most picturesque and altogether startling safari on the Dark Continent since David Livingston. I can just see Miss Bacall being established as the white goddess of the lower Congo, Miss Hepburn teaching the natives the proper Hartford (Conn.) accent and Bogie swindling the headhunters out of their firewater.
     They ought to make a film out of the expedition itself, which, I'm sure, would be more interesting than what ever dark purpose Mr. Bogart has in mind. I for one would like to see the expression on a zebra's face when it catches its first glimpse of Miss Hepburn. I'd like to hear Miss Bacall's famous line: "I'm hard to get. Just ask me," rendered in Swahili. Ah well, stop dreaming, Crosby.

BEFORE THEY took off for Africa, the Bogarts transcribed an adventure radio series Bold Venture, which is now on the air in about 150 cities.
     The network have been trying to entice the Bogarts, whose joint sex appeal could probably sell boxcars on the air for years. They turned down the networks in favor of a transcribed series which offers much less prestige, but on the other hand gives the Bogarts far greater freedom. Freedom, for example, to go off to Africa and make pictures while the radio show puts money in the bank over here.
     Bold Venture is not anything that hews out new territory in radio fiction or any other kind of fiction. In fact, if you have ever seen the Bogarts in a picture, you will be pretty well briefed as to their radio show.
     The title stems from the name of Mr. Bogart's boat, which he sails all over the Caribbean getting into one scrape after another. Mr. Bogart, thinly disguised under the name of Slate Shannon, is a rough and tough adventurer open for hire to anyone who has sunken gold or other larceny on his mind.
     Miss Bacall, known on this show as Sailor Duval, occupies the position - now hold on to your chairs here - of Mr. Bogart's "ward and love interest", it says here in a press release. This is the most dubious relationship to be permitted on the air in my memory and I think "ward and love interest" is the most entertaining euphemism to come along in some time.
     Bold Venture opens to the accompaniment of a lot of exotic music which has beads of equatorial sweat all over it. This is to put you in the proper mood for the sex and violence which are to follow.
     A fairly recent and typical program involved a search for sunken gold on an island in Flamingo Cay. During this hunt, Miss Bacall got kidnapped by a trigger-happy, sex-mad college boy whose intentions were strictly dishonorable. This left Mr. Bogart in the clutches of a faithless wife whose feelings toward him were hardly maternal.

BEFORE Mr. Bogart's "ward and love interest" got back into the proper arms, the script had been littered with a couple of corpses, one brutal beating administered by Mr. Bogart and a hurricane. All that and buried gold too. What else can you ask?
     Miss Bacall's sultry, vibrant voice is as effective on radio as it is on the screen. In fact, if it were any more supercharged than it is, it would blow out a couple of tubes. As to Mr. Bogart's sex appeal, you'll have to check with your wife. He and I are on different wave lengths.
     The dialogue employed by these two and by everyone else in the cast is so confoundedly cryptic that you may fall to wondering just who is committing mayhem on whom and why.
     I yearn for the restoration of the simple, decorative sentence which tells the audience who, where, when and why but I don't expect it to return in my lifetime. Bold Venture, in short, is a lot of malarkey, but it is fairly restful malarkey, and it contains the Bogarts, who are about as expert as they come to concealing the deficiencies of a script.
     Have a good time in Africa, Bogarts, and, if you find some time pick me up a stuffed hippopotamus.

© New York Tribune, 1951

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Listen online to Treasure on Flamingo Cay.

The Return of King Kong

“What is the purpose of your visit to the United States?“ asked the immigration officer at Newark Airport. “I’m a gorilla man,” I proudly replied. Without batting an eyelid she stamped my passport with a B1 business visa, valid for six months. 

I grabbed my bag from the turnstile, stepped on to a fume-choked loading zone, and lit a cigarette. I’d flown thousands of miles from one of the planet’s most remote locations, and was about to enter its most central. I needed a minute to adjust.

Pirates, my second novel, had just been released in the US. Both my editor and agent thought it was a remarkable improvement on my first novel. But the book had yet to inspire more than a handful of reviews. 

Though fun, guiding gorilla safaris in Uganda these past five years had proved counterproductive to generating a readership. Social networks aside, selling books requires an active participation in the marketplace. I needed to personally reach out to my audience. 

My publisher wasn't against the idea of a two-month press tour of the United States. He sent me the money for an air ticket. But he refused to commit to anything more. Boarding my flight in Entebbe, I trusted his support would grow once I sold a few books.

“Counting the cars on the New Jersey Turnpike / They’ve all come to look for America.” 

- ‘America’ by Simon & Garfunkel 

As my cab climbs an elevated overpass on Interstate 78, Gotham’s full commercial might comes into view: the jagged gleaming skyline, vast industrial complexes, and an endless stream of planes, trains, and automobiles. 

Traffic slows as we approach the Lincoln tunnel. My heart begins to race. Fearing I am about to get crushed in a giant metal compactor, I'm having second thoughts about making my mark here. Driver, turn this taxi around!

How could I possibly have any impact on such a monumental marketplace, amid the pandemonium of all those well-oiled voices vying to be heard? I am punching way above my weight.

We exit the tunnel on 39th Street. Helicopters are hovering overhead, sirens wailing, and the sound of humanity is turned up all the way to eleven. Welcome to anxiety central! 

As we turn north on 10th Avenue, I catch a glimpse of a giant limestone edifice piercing the urban haze behind us. Even today, 83 years after it first opened, the Empire State Building stands head and shoulders above the rest of Midtown’s skyscrapers, and never fails to inspire. 

It's time to unshackle myself from all this self-doubt, seize the moment, ascend to the highest apex, and swat a few preconceived notions out of the sky; I’ll show them what a 21st century gorilla man can achieve in New York City.

“One belongs to New York instantly, one belongs to it as much in five minutes as in five years.” 

- Tom Wolfe

I’m not a stranger to this town. I was six years old when I first visited in 1969 with my family, en route to our new home in Nigeria. My mother's brother Bob was a banker in lower Manhattan, so it served as a convenient stop-over on the many journeys my family would make between Montreal and Africa during the 1970s. 

On Independence Day 1976, standing next to the corner window of Uncle Bob’s 45th-floor office, I watched in awe as a dozen tall ships from all over the world sailed into New York harbor to mark America’s Bicentennial.

One time I came down by road from Toronto, in a car full of drunken reprobates. The last of the campus bars had closed so we set out on a 440 mile road trip to New York City, picking up a Balinese dancer along the way. 

As we drove through the night, radio broadcasts began reporting that a freak snow blizzard was hitting the Big Apple hard. Should we turn back? No fucking way, we’re Canadian. 

When the sun came up that April morning in 1982, New York had been magically transformed into a glittering wonderland of crystal-white snow. Eight to twelve inches had fallen during the night but there wasn’t a cloud in the sky. From the Verrazano Narrows bridge, the city looked like one enormous ice sculpture, still steaming from the artist’s blood, sweat and tears.

That weekend, claiming to be experts from north of the border, we made a small fortune digging New Yorkers’ cars out from under the snow.

Between 1994 and 2006 I often visited to raise money for gorillas in the wild. And in late 2009 I spent two months living on the Upper West Side, working on the manuscript for my debut novel, Gorillaland. Since then I’ve published two books. 

So what? Tell someone who gives a shit! That’s what it comes down to in this town. When in New York, ape the natives. Every one of them is struggling to rise up through, or maintain their status in a city that never sleeps. It’s a nightmare. But then I’m a night dancer. Gorilla man will succeed in the concrete jungle.

It’s 7 pm, and the sun is still shining brightly on the Upper West Side, searching for gaps in the money trees that line the back lots of West 77th Street. I’ve been here a month and, as far as book selling is concerned, still not made the slightest dent. 

But I’ve learnt a hell of a lot. No doubt New Yorkers are avid readers, and many of the countless independent bookstores in Manhattan and Brooklyn are up for hosting readings by unknown authors, just not at such short notice. Also literary publicist are paid more than lawyers in this town.

As it turns out, my circumstances and reason for returning to Uganda in July have since evaporated so I will now remain in the US for the duration of my visa, ride down the opposite slope of that steep learning curve I just scaled. Take two...

Hopefully, what happens next will be beyond all expectations.

Greg Cummings is the author of Gorillaland and Pirates, published by Cutting Edge Press, London.

Five Hours GMT: World Events That Helped Shape Pirates

It was shortly after 11 pm on 11 July 2010, and thousands of Ugandan football fans had crowded into Kampala’s bars to watch the last ten minutes of the World Cup finals on TV.  Not being a footy fan, I had purposely stayed away from the melee, and was at home watching Discovery. 

I did not hear the first attack. The Ethiopian restaurant in Kabalagala was out of audible range, but the large outdoor screen at Kyadondo Rugby Club, where the second attack took place was less than three kilometres from my apartment. I heard a dull thud immediately followed by a terrible scraping noise, the sound of countless steel ball-bearings ripping through plastic chairs, flesh and bone. Moments later, another explosion. 

The death toll from the suicide attacks totalled 74 people, and 70 more were injured. I later learned that a friend had been badly injured in the rugby club attack. She has since made a remarkable recovery.  

Notwithstanding the real human tragedies involved, the news, while getting closer to home, was proving a source of inspiration as I attempted to write compelling adventure stories set within real life events. And a miasmal alphabet soup of headlines about human wickedness had been floating around my subconscious since childhood.

Listening to BBC World Service each week day morning over breakfast - two fried eggs, two beef sausages, and a mug of strong, black Nile coffee - is a tradition I’d be loathed to give up. The Beeb, like the African dawn chorus, is deeply embedded in my memory. 

When I lived in Dar-es-salaam in the early 1970s, every school morning began with the chimes of Big Ben phasing in and out as my father tuned his Grundig Yacht Boy to the World Service. The scholarly voice of an Oxbridge announcer, bouncing off the ionosphere to reach me snug in my bed blended nicely with the pulse of the Indian Ocean outside my window.  

But the awakening was frequently rude, alarming headlines that wormed their way into my young mind. Living two time zones ahead of London, we were often the first in the Anglophone world to hear the news. “Palestinian terrorists, the so-called Black September group, have killed all the Israeli athletes they were holding hostage at the Munich Olympic games…” 

Thomas Harris (Silence of the Lambs, Hannibal) began writing his debut novel Black Sunday after watching television coverage of the hostage crisis in Munich.  A disgruntled Vietnam veteran, who pilots blimps over NFL games, conspires with a Black September terrorist to launch a suicide attack in the United States. With a bomb made of plastique and a quarter of a million steel darts, he aims to detonate the explosive during the half time celebrations at the Super Bowl in New Orleans. It was the first modern adventure story I read as teenager.

BBC news headline: “The Somali Islamist group al-Shabab has said it was behind twin blasts which hit the Ugandan capital Kampala on Sunday, killing 74 people.” 

I was half-way through writing the manuscript for my first novel, a thriller set in the Congo, and not yet thinking about a second. But the attack in Kampala brought the conflict in Somalia to my doorstep. 

Ugandan President Yoweri Museveni called the terrorists “backward and cowardly” and vowed to deal with the authors of this crime. “It will have to be peace enforcement to bring peace to Somalia.”

My girlfriend Sandra and I ventured into Kabalagala to witness the aftermath of the horror inflicted by jihadist. And as we sat down for lunch across the street from the Ethiopian restaurant where the first attack occurred, our waiter told of coming to work and finding a human limb in the gutter.  

Another deadly menace dominating the headlines at the time, also emanating from the Horn of Africa, was Somali pirates. They had attacked hundreds of ships passing through the Gulf of Aden, hijacked dozens, collected hundreds of millions in ransom money, and it seemed nothing was being done to stop “the pirate kings of Puntland,” as one alJazeera headline described them. 

When pirates hijacked the Maersk Alabama taking Captain Phillips hostage, a former CIA agent asked, “Where is the CIA? Where is the humint effort in Somalia? Where is the covert action capability of the CIA that should be on the ground in Somalia, collecting, pressuring, attacking, and destroying pirate infrastructure?”

But there are two sides to the story. While fishing in Kenya in October 2010 I learned tuna stocks had recently bounced back, because the threat of piracy had effectively deterred all foreign trawlers from coming anywhere near the western shores of the Indian Ocean. 

It occurred to me that although unscrupulous and lawless, compared to the jihadists the pirates were in many ways the good guys. Yet the international community was using the same blunt instrument to deal with them both: Reaper drones. I wanted to write a story that showed how these two groups were diametrically opposed, and decided on a plot that pitted pirate against jihadist.

Research confirmed that since the 1980s European and Asian trawlers had been illegally fishing in Somali waters, drastically depleting tuna stocks, and off the shore of Puntland at the tip of the Horn of Africa the Italian mafia had dumped tonnes of toxic waste. 

Grave injustices had been committed against Somalia, in particular against the good people of Puntland. Yet, despite decades of illegal plundering of Somali coastal waters, the international maritime community only started paying attention after fishermen took up piracy. 

There was one notable exception. In 2000, with the help of British company Hart Security Maritime Services, the Puntland coast guard was established. Some twelve-hundred fisherman were trained in maritime security tactics: how to track illegal fishing trawlers, approach vessels undetected, board without ladders. But shortly after they began patrolling their waters, the Puntland government tore up Hart’s contract in favour of a Dubai-based operation, which eventually ran the service into the ground. 

Soon there were hundreds of highly-trained coast guardsmen out of work, loitering in coves along the coast of the Horn of Africa, watching their fish stocks continue to plummet, and waters get polluted, for which no one was being held accountable. No wonder they turned to piracy. (And no wonder Hart Security today provides much of the maritime security for ships passing through the Gulf of Aden.) 

Meanwhile, a much darker story was unfolding on the Horn of Africa. Without significant rainfall in four years, Somalia was quickly becoming gripped by famine. Al-shabaab-held territories were worst hit, as the Islamists refused to accept foreign aid and the United States refused to provide it. 

In August 2010, the United Nations estimated twenty-nine thousand children under the age of five had died in southern Somalia and 3.7 million people were in need of humanitarian assistance across the country. 

 “The scale of the crisis is unprecedented in many ways,” said Rashid Abdi, an analyst for the International Crisis Group. “The closest example you have is the 1984 famine in Ethiopia.”

I had spent five months in Ethiopia during the latter half 1985, and witnessed first-hand the effects of famine. While working as a press officer for Catholic Relief Services, I visited one refugee camp in the Afar region where I met a woman whose task it was to weigh babies to determine if they were too far gone for supplemental feeding. I remember thinking at the time that there could be no more distressing a job in the entire world. 

In 2011, as hundreds of thousands of Somalis fled the famine in Lower Shabelle, Kakuma refugee camp in northern Kenya swelled beyond capacity. I decided Kakuma, which meant “nowhere” in Swahili, would be the setting for my early chapters. Unable to visit in person, I researched everything I could about the camp online, accounts by refugees who’d been trapped there for over a decade, day-in-the-life videos made with funding from well-meaning aid agencies, and countless articles in the Kakuma News Reflector, “a refugee free press.” 

Pirates' haven - AlJazeera English on SOMALIA 1of3 by afrikanews

I made two road trips that greatly influenced my story line. The first was to the Kenyan capital for the Easter long-weekend. Sandra and I checked into the Fairview on Nairobi Hill, owned by my friend Charles Szlapak, and spent hours lounging under giant jacaranda trees on the hotel’s luxuriantly shady grounds, sipping Tusker beer while carefully observing how Mossad agents from the Israeli embassy across the road maintained security. I subsequently used it as the backdrop for a pivotal scene in Pirates in which I try to demonstrate the ruthlessness of al-Shabaab.

Next stop Kidepo Valley in northern Uganda, an otherworldly place that has to be seen to be believed. We arrived just in time to witness July’s lunar eclipse at N’ga Moru lodge on the edge of the national park, a superb spot run by Lyn Jordaan and Patrick Devy.  By 10 pm the event had begun. Sitting by the fire, Lyn, Patrick, our driver Sam, Sandra, and I watched the heavens transform as the Moon, like a Hobnob dipped in coffee, turned umber then faded to black. It was the darkest night in a hundred years, but I’d never seen so many stars.

While stargazing, it occurred to me - as it does in Pirates to Derek Strangely - that Kakuma refugee camp is located just across the border barely a hundred kilometres away. I asked Patrick if it was possible to walk the distance. “Not without getting shot by a Turkana,” he laughed. 

“Nothing Strangely couldn’t handle,” I thought. But I was wrong. My safari guide would be incapable of making such a journey without a good deal of cajoling and a cash incentive. Enter Johnny Oceans, a name I’d first heard mentioned while tuna fishing off the coast of Kenya the year before.

Derek and Johnny were seated beside an excellent fire at the base of a small granite kopje overlooking Kidepo Valley National Park, in northeastern Uganda. They’d flown up on a private single-engine that Johnny Oceans had chartered, which landed them in Kidepo Airfield, where they were met by park staff who chauffeured them to a camping site at the foot of a kopje. 

“I’ve been to some spectacular places in my lifetime,” sighed Johnny, “but this is the shit!” Derek just nodded. Words could not express the way he felt about this particular East African wilderness. The sun was setting and the fiery light of dusk had transformed the valley into a son et lumière, recalling the time millions of years ago when it was a cataclysmic inferno, venting the planet’s burning mantle through a cluster of volcanoes.

“Except in the far reaches of the imagination,” said Derek, “no one would ever believe this place existed. It’s as if those volcanoes got up and danced around until they all keeled over with exhaustion. And this is how they were found: burnt out and contorted on the Mesozoic dance floor.” He poured himself a double shot of Wild Turkey into a cut-glass tumbler filled with ice, and then said, “Right, Johnny Oceans. You owe me an epic, and it better be a good one.” - Pirates by Greg Cummings

With Johnny Oceans I had a strong, enigmatic hero, seemingly capable of standing up to the threat of radical Islamism in Puntland and cattle raiders in northern Kenya. But Pirates needed a heroine to speak out against the nihilism in Somalia. 

Khadija Abdul Rahman was a challenging character to write. Named after an impressive matriarch I’d met, the mother of Sandra’s best friend Fatuma, I knew she had to be inspirational. Social networks provided ample evidence of single-minded Somali women who were fed up with the state of affairs in their country. And I found inspiration in the outspoken Dutch-Somali activist Ayaan Hirsi Ali. More importantly I was surrounded by strong women, and across the Arab world they were also making themselves known. 

In Pirates Khadija walks a fine line between her religion and culture as she tries to quash the brutal, clannish behaviour of her country men. She is forced to act after jihadists attempt to recruit her teenage son Nadif in his madrasa. 

To understand how her boy could be attracted to radical Islam, I researched the Salafs perspective on everything, including fishing. This led to a chapter in which Nadif and his pirate uncle Maxamid fish together off the tip of the Horn of Africa. 

It was hard to get my hands on suitable books. But I managed to reread Ernest Hemingway’s The Old Man and the Sea, studying his legendary pelagic battle in fine detail. 

The Somali Pirate, a autobiographical tale by Noor Fayrus of the Darod clan, was a surprise discovery. It is a delicate, heartbreaking story, told from the heart by a thoughtful writer, a fisherman who had personally experienced the grief and revenge. 

When it came to shaping Omar and al-Rubaysh, Pirates’s conspiring antagonists, by far my most useful reference was The African Jihad: Bin Laden’s Quest for the Horn of Africa by Gregory Alonso Pirio, which I found in a Nairobi bookstore. Much of the background information I needed for these unseemly characters was in that book: Bin Laden's power brokering in Khartoum, the events leading up to Black Hawk Down, and how the Islamic Courts, the only authority that had managed to restore any semblance of law and order in Somalia, was forced to relinquish power under pressure from the US and Ethiopia. Its demise resulted in the formation of al-Shabaab.

By the end of September 2011, as Kenya prepared to invade Somalia, I had written the first two chapters, and a seven thousand word synopsis that I scarcely altered while writing the manuscript. On the strength of this, Cutting Edge Press offered me a publishing contract for Pirates. 

But there were still two further news stories to come that would prove most pivotal to the plot: in February “Al-Shabab 'join ranks' with al-Qaeda” and in April “Somalia's al-Shabab Islamists move north into Puntland”. Still, these stories did not necessitate any changes to my novel, as I had already seen them coming.

“We will part the sea as Musa did with his mighty staff, for the glory of Allah, reestablish the bond between our great continents in the name of global jihad.” - Pirates by Greg Cummings.

Available as an ebook on Amazon: 
http://www.amazon.com/Pirates-ebook/dp/B00G3DC5RO/

Forgedaboudit!: How I Came To Write Pirates

It’s ten o’clock at night. Unseen in the viridescent shadows, half a dozen Masai askaris and two Rottweiler are patrolling the grounds of Bobby Cellini’s Malindi home. The two-storey rococo mansion is lit up by coloured spotlights that cast ferny shadows across its rustic ochre walls. Palm fronds nudge up against the terra-cotta roof tiles, rustling in a warm Swahili breeze that blows up from the coast.

Seated at a long glass dining table in a outdoor gazebo by his swimming pool, the seventy year-old American patriarch is holding court with his daughter Daniela Cellini, her artist friend Alexandra, nephew Jody Baker, and me. We’ve just eaten an exquisite meal of Wahoo steaks brushed with rosemary branches dipped in olive oil and tied together with a clove of garlic in between. Now comes dessert. “Greg, when was the last time you had Key lime pie?” asks Bobby, as a slice is placed in front of me.

“Way too long,” I sigh pushing my fork through its firm meringue mantle, soft creamy centre and crispy biscuit crust. After tasting a morsel I gasp. “Damn, that’s the best Key lime pie I’ve ever tasted.”

Bobby smiles at me, nods, then shuts his eyes. I want to ask him about incorporating my gorilla safaris into junkets for his casino clients but the opportunity has passed. Jody, who suggested I pitch the idea, senses my disappointment, leans in closer and says, “Forgedaboudit.”



I first met Jody Baker in the highlands of Rwanda one chilly September morning in 2009. He and his wife Renata, who was seven-and-a-half months pregnant and about to trek mountain gorillas, were standing outside the headquarters of Volcanoes national park, observing the chaos created by half a dozen inflexible park rangers trying to organise four dozen foreigners. 

Among the high-paying mzungus eager to start trekking, three stood out: a middle-aged man and his two teenage boys. Outfitted to the teeth in elaborate and expensive khaki safari gear - two hiking poles each, knee-high black gators, and mosquito-net hats - my clients were impossible to miss.

As Jody recalls, “They wore pith helmets equipped with solar panels to power their attached forehead fans. I made eye contact with their mzungu guide, another sideline observer. He had a look I recognised: one who is well Africanized, knows the ropes, and can afford to pull some strings. He had already made his moves, like me he was just waiting for the confusion to die down.”

~~~

I have only ever met a handful of kindred spirits in my life. Each time we instantly hit it off, shared a mutual acceptance of each other that transcended all other aspects our lives, except maybe a common appreciation of cannabis. That’s how it was with Jody and me. Within minutes of our meeting we were lamenting the dearth of a decent smoke in East Africa, and both somehow knew we’d end up being life-long friends.

Three days later I ran into him again in a hotel lobby near Kigali airport. He and his very expectant wife were about to fly to home to Miami to prepare for their baby’s birth. My clients had just departed, and I was planning to drive back to Kampala the next day. After exchanging emails, we promised we'd stay in touch.

In the year that followed each of our lives got seriously revised. Jody became a father for the first time. “My little boy is awesome,” he said in a Facebook chat with me, “the most incredible thing I’ve ever seen. Childbirth is nasty but amazing!”

I met Sandra Richardson, the love of my life. “An amazing woman,” I told Jody, “We’re putting all we got into this relationship.”

Sandra moved into my apartment in Kampala and, after reading the manuscript I’d been working on for three years, pointed out several worthwhile ways it could be polished up. Her suggestions vastly improved the story arc and made the characters much more believable. I realised I’d met my muse, and over the next few months, with her help, struggled to complete my debut novel, Gorillaland. At the end of August 2010, on the strength of the first ten chapters, Martin Hay of Cutting Edge Press called me from London with the offer of a publishing deal. "Bo yakka!"

In the euphoria that followed, I wrote to Jody. “When are you back in East Africa? When can we get this groove on? Sandra and I need a break from Uganga! The Swahili Coast has all that spicy, salty, seductive, smiling, fruit-fried, frangipani, sweet mimosa, underwater turquoise style going on...”

“Great timing, younger brother!” he wrote back. “I sold a property and am supposed to be in Malindi in October. I am making arrangements now. I'll probably stay there a week or so. You're very welcome!”



We’re sailing 17 miles off the Kenyan Coast aboard Albatross, Jody’s 33 foot Black Fin Express, fishing over a canyon in the Malindi-Watamu bank with a spread of nine lines trailing from her stern. The sun is pegging and all around us fish are jumping: wahoo, swordfish, tuna.

Suddenly a line screams off its reel. “You’ve got a strike!” snaps Jody, handing me the rod. I struggle to take control, grappling with the method and muscle required. All the while I’m being hurled instructions from above and behind: “Feed the line!” “Let the pole do the work!” “Don’t let your line touch the boat!” “You can’t take a break now!” Eventually I get the hang of it and am rocking and reeling like a pro, dragging a monster up from the deep.

It feels like I’ve been fighting for hours, though it can only have been 20 minutes, and I want to give up for the ache in my left arm, but I know I have to see this through to completion. Finally I spot him, shimmering below the ocean surface, a sizeable tuna fish, still fighting hard. I put all my strength into reeling it in those last five meters. When the fish is at last close enough, the boatman leans over the edge and hooks it with a gaffer.

“Boo yakka!” I shout, staggering back from the gunwale in sheer delight, breathless, bone-tired, and dripping in sweat from the fight. The boatman hauls my yellowfin aboard and immediately bleeds it with a long knife.

With its vivid silver and black markings, a turquoise stripe down its side, and bright yellow fins and finlets, it’s a beautiful creature to behold - weighing at least 25 kilogrammes. And despite my role in its brutal demise, nothing can contain my excitement at seeing this yellowfin at my feet. “You can’t be a Tuna Murdra without getting blood on the decks, mon!” laughs Jody. 

“Who’s the daddy?” asks Jody, triumphantly reeling in another mighty yellowfin, our fifth of the day. He’s an experienced angler and it shows; it takes him less than 10 minutes to bring in his tunny.

“Incredible,” I laugh, shaking my head. “So many fish!”

“You can thank the Somali pirates for that,” he says over his shoulder. “Since they started attacking ships around the Horn of Africa, tuna stocks on the Kenyan coast have shot up.”

BOOM! I did not realise it at the time, but right then a lure was dropped for my second novel. Another year would pass before I finally got a strike, figured out a suitable plot, but that was the moment the story began to develop, emerge from the deep.



“It doesn’t really say anything,except flat bottomed boats at posh universities!” said my agent Maggie Phillips. She was reacting to my title, Puntland. “If you are writing about Somali pirates – always in the news, apparently unstoppable – then you need to flag this up in the title. Baddies like this are fascinating, people want to read about them, so give them a chance to realise what your book is about!”

World events were influencing my storyline: the Arab Spring, the death of Osama bin Laden, the alliance of al-Shabaab and al-Qaeda in the Arab Peninsula, and the crack down by the maritime community on Somali pirates. Adding to that, I had visited Kidepo Valley in northern Uganda and found the ideal setting for the opening chapters.

The strike came during one of Kampala’s regular power cuts. Sandra and I were sitting under a starflower tree, discussing the plot, what motivates Somali pirates, and batting around real current affairs, when she came up with a plot twist that I knew would grab every reader by the short and curlies. "Bo Yakka!"

With a worthy plot, in-depth storyline, and cast of intriguing characters, I wrote a detailed outline, chapter-by-chapter - the synopsis for Pirates, sent it off to Maggie and Martin, and thereafter secured my second publishing contract, with a deadline to complete the manuscript by April 2012.

Johnny Oceans, Pirates’s enigmatic hero, is a maverick Italian-American from South Florida with a background in dope smuggling. In 1998 while working on the Kenyan coast in the family’s gaming business he was abducted by pirates. Eventually he settled in Somalia, converted to Islam, changed his name to Mehmet Abdul Rachman, and married a beautiful Darod woman. But nothing is what it seems.

The novel’s indomitable heroine is a chain-smoking, skinny-jeans wearing, forty-something Somali woman who happens to be the hero’s wife. Inspired by the women of the Arab Spring, Khadija Abdul Rachman urges her fellow Somalians, through Twitter and Facebook, to put aside their clannish ways and stand up against the rising tide of Islamic jihad in Somalia.

Enter the reluctant protagonist, safari guide Derek Strangely who crosses over from my first novel Gorillaland. After a perilous journey into Puntland, he comes up against Khadija’s mercurial brother Maxamid, a Somali pirate who dislikes foreigners. Meanwhile, behind the scenes Ali al-Rubaysh, a veteran jihadist now commander in al-Qaeda on the Arab Peninsula, plots a terror attack on America more devastating than 9/11.

In a barren province of a troubled desert land deemed a failed state, Pirates pits pirate against jihadist. While the outside world believes the situation as hopeless, brave men and women strive to solve the Gordian knot that is the Horn of Africa.

“How goes Johnny O?” asked Jody. “You inspired? I'm headed to Kenya around the 20th for about a month, Diani - Malindi. Chillin'. Hugs.”

“Been writing like a whirling dervish,” I replied. “Long hours, and I’m not paying much attention to anything else. When you heading down this way? My folks would love to do a trade - their place in Cabo in exchange for your place in Malindi.”

“I just spent $18,000 on the place in Malindi, paint, pool, everything - I'll get pictures soon. They are welcome to my house anytime. Trade or no trade ;) Fuhgetaboutid…”

Jody kept me on point, suggesting weapons and equipment Johnny Oceans might use. By way of our regular conversations, he also gave me the correct vernacular for my hero. I wrote the majority of the manuscript in San Jose del Cabo, Baja, Mexico. Working in a desert environment with waves constantly pounding the shore was a boon to the story (and considerably safer than visiting Somalia). And the support of my parents, in particular my mother, provided me with all the encouragement I needed to get the job done in time.

Meanwhile my muse was back in Uganda, trying to make ends meet on $100 a week. It’s only now, after living through comparably lean times that I understand how much she suffered to ensure there was a home waiting for me back in Africa. I love you Kigongo.



It’s December 2012, eight months past my deadline. I’m on a leaky ship, struggling to put the finishing touches on my manuscript before I sink. World events are getting ahead of me. Kenya has invaded Somalia, al-Shabaab is in retreat, Egypt is in turmoil, the Arab Spring has turned cold, and piracy has been effectively vanquished from the Horn of Africa.

Penniless, shackled to my writing desk in a remote, dusty neighbourhood of Kampala, I have nothing to distract me from the task at hand. I’m working day and night. And no matter how bare the cupboard, at least once a day Sandra puts a square meal in front of me.

Two final hurdles remain: a convincing climax and Johnny Oceans’ backstory. I’ve modelled him on a living person and wonder how best I can reconcile that in a work of fiction. I voice my concerns to Jody.

Greg Cummings: “I haven't yet figured on where Oceans is from. At the moment I'm using his actual back story, with a twist. But I think I will change that. Don't need them getting pissed with me…”

Jody Baker: “Not to worry, they'd call me ;)”

Greg Cummings: “If you say so…”

Jody Baker: “In Godfather II, when Hyman Roth (Meyer Lansky) is discussing the split up of Havana, he gives the casino to the ‘Levini brothers, Eddie and Dino’. Watch that part of the movie where he is talking to Michael Corleone on the rooftop of a Havana hotel…” 

Subsequently Jody sent a chapter to his uncle in Malindi.

Jody Baker: “I don't think Uncle Bobby is happy about what I forwarded him but you know what… all that shit is already on the internet and the rest is fiction.”

Greg Cummings: “Should I worry?”

Jody Baker: “No - it's a work of fiction, artistic license and all that... It's funny, a black comedy. Good publicity.”



The trouble with writing action adventure stories that are set in the present day is that the latitudes keep moving. At some point the author must decide what makes a gripping yarn and disregard the rest, but a well-told story that cuts closer to the facts is undoubtedly more riveting. Writing Pirates on three continents in as many years was almost as much a roller coaster ride as the story itself. I believe it’s an audacious tale. Inspired by the oceans, I hope it will appeal to as wide an audience.

See for yourself. Read the book. Enjoy the adventure! It's at least as good as Uncle Bobby's Key lime pie.

~~

"I owe you a debt of gratitude, older brother."

"Nah, younger brah, you owe me nothing. But if this book's a bestseller I want a '58 Cadillac ragtop...Capisce?"

Hang In there Phil...

Last Saturday night, my friend Phil was on his way back home from Minister's Village in north Kampala, riding on the back of a boda boda (motorcycle taxi) when Roge, the boda driver, swerved to avoid a dog, which sent the bike off the road, throwing Phil off the back. He was then run over by another boda driver. Roge sustained minor injuries, but Phil is in intensive care on a life support system. (Hang in there, mate!)

Phillip Barnard, a soft-spoken, middle-aged Englishman with a full head of grey hair and an engaging smile (looks a bit like comedian Eric Sykes but without the glasses) is an old Africa hand who's been doing various jobs on the continent since the 1970s. Unlike most mzungus (white people) in Uganda, Phil socialises with all races and has many friends, evident in the outpouring of sympathy today on Facebook. He has enriched our lives.

Trouble in Paradise

Last week I was drinking in Corner Bar, a local kafunda (small beer joint) in Minister's Village, when Phil arrived wearing his signature Formula One jacket (in dire need of a dry clean). "All right Greg?" he asked, offering me a cigarette as is cockney custom. He then ordered a round of beers (a half-litre bottle costs $1.40 or 87p) and over the next hour we compared African bush stories and laughed at the anarchic way things are run in deepest darkest. 

One thing Phil and I have always agreed upon was that the anathema of African corruption, lawlessness, and lack of opportunity was simply the flip side to a warm and pleasant land where things are cheap and no one can find us. "It's a low-key, hassle-free existence," said Phil, "accentuated by small pleasures." 

In time we were joined by other friends, Rastafarians from the neighbourhood, and as spliffs began to blaze, the conversation spun off into many new threads, like the flight paths of a swarm of weaver birds.

At sunset, when a warm evening breeze blew through the bar, drunk on cheap liquor and weed (though Phil never touched the stuff), we wallowed in our self-satisfaction but none of us dared face up to the cold truth, the horrible price paid by innocents. Rather we each chose to turn a blind eye to the unpleasantness: the mentally ill roaming the streets of Kampala, hit-and-run drivers never brought to justice, vigilantes setting upon suspected thieves and burning them alive, and hawk-eyed homophobes. 


Like Phil, I live here in exile from a previous life, and I'm struggling to build a new one, putting down new roots. There are real hardships to endure: regular power cuts, poorly maintained roads, and a lack of safe public transport. But even if I did possess a car, the traffic is so dire that I would spend half my time in gridlock. Hence I move around town on the back of motorcycles, write about it in my novels. 

Friends who own cars think I'm insane to do so, and I'm regularly lectured about the dangers. But at rush hour I can shift from my home to my local kafunda in a matter of minutes, and for the price of a beer.

Riding on the back of boda's, drinking in local kafunda's, this is the lifestyle of a 'flip-flop mzungu', two steps down from the 'contract mzungu' who pub-crawls every night of the week, bingeing in one expensive establishment after another before finally going home cockeyed at the wheel a 4x4, and three steps down from the 'cocktail mzungu' who only socialises in Kololo's leafy, palatial residences with corporate types, politicians and diplomats. 

When I first arrived in Uganda, I had the lifestyle of an 'NGO mzungu', living off donor money and travelling everywhere in the staff car. Now I'm soon to become a 'lost mzungu', one who's never seen in public and only drinks at home alone. Staying home is not easy to endure, especially during power cuts. And for all their faults Ugandans are a highly gregarious people, I share their need to connect. Phil's the same. That's why I usually found him at Corner Bar when I dropped in for 'one-one'.

He'd recently pulled himself out of a financial debacle by running events for Formula One motor racing - promotional drinking sessions in swanky Kampala venues that could showcase the races on a bank of widescreen TVs - and chose not to squander his earnings on trying to step back up again in Uganda's mzungu community. Tonight he's paying a heavy price.

Phil's wife and two small children are at his bedside and his only son in the UK has been informed of his accident. The neurosurgeon on duty in the ICU has declared him brain dead with virtually no hope of recovery. But the hospital doesn't want to make that call, and is waiting for two more neurosurgeons to arrive from the city's main hospital this evening. (Hang in there mate!). 

What the fuck?

Earlier this year I lost Alison, another friend, in a boda boda accident. I attended her sombre memorial, a large gathering of stunned friends at Fas Fas bar where they put up some of her paintings and projected slide after slide of a young, happy, gorgeous Mexican woman. "How could the life of such a vibrant person be cut so short?" was the thought on everyone's minds. "It's God's will," said one man. "No it's fucking not," I snapped, "it's the total lack of road safety in this country!" An argument then ensued and I walked away. 

I don't know where I got off being so righteous. It's not as though I stopped riding on the back of boda's after Alison's death. I must be insane. I used to believe the convenience outweighed the danger. Besides, I'll be safe with my regular driver Bozak, who's road-alert, never over speeds, and is a conscientious driver. (He's just heard about the accident, and called to make sure it wasn't me.) Time to make a change.

Living on the edge is one thing, senselessly risking one's life is quite another. There's no safety net in deepest darkest. If you fail, you're on your own. Friends and family in outside countries can only do so much. But like getting caught in a desert sand trap, it's punishing work trying to get out of that hole. One thing I'm learning is to not buck the trends. If there be dragons, take a different route. I'm old enough now to realise that there's no real currency in risky business.

Tonight I'm praying for a miracle, not because I believe it was ever God's will Phil be fighting for his life in a Kampala hospital ICU, but because every one else who knows him is praying. There's comfort in numbers... He's a good man, and the world is a better place for him being alive in it. God's will can only be that such a man survive, recover, live to hug his children again, and share another one-one with me and the Rastas at Corner Bar. 

Jonny Gibbings' review of PIRATES

I'm not sure where to start with Greg Cummings 'Pirates', what I will say though, is it is a wonderful book. If you, like me, started out reading popular books that had a romping pace, the stuff like Robert Ludlum and Wilbur Smith and you loved the roller coaster plot, but soon got bored of them because they quickly lacked substance. So you started reading novels with more bite. Pirates has every bit the plot and pace of epic yarns but also has a unique depth and integrity, effortlessly weaving around serious issues and the politics of deepest Africa.

Pirates is the tale of a Safari guide and who happens upon his believed to be dead friend Jonny Oceans, who recruits him to help him re-enter Somalia. However things are not what they seem. The reader is taken through the Gulf of Aden, facing jihadists from Al-Qaeda and al-Shabaab, a different understanding of Somali pirates and Somalia itself. I imagine many base their view on Somalia as I do on films such as Black Hawk Down and on news footage of AK-47 toting pirates. Greg shows us proud people fighting to keep Puntland independent in the face of growing pressure from Muslim extremists, through beautiful, tight t-shirt wearing, skinny jeans loving matriarch Kahdija. Where Pirates excels is that it uses real issues as plot points, not the plot itself. Greg has so many plot points that fragment, leaving you in suspense as you just know they are in a funnel and will all meet at a singular event. While there is real tension, and real issues, the story is all adventure and drama with some brilliantly funny parts. There are some far-fetched elements that are Indiana Jones over the top, such as the Vulture/drone bit, but you don't mind, simply as it is infused with such reality and drama that it balances it out. The story builds and builds to such a fantastic end once you have read through twist after twist. With US Navy drones, CIA Spy's, treasure, kidnap gunfights and romance. This is a brave book and Greg pulls it off, the result is simply staggering and a truly epic read.

Follow the buzz at Pirate Yarns: http://pirateyarns.blogspot.com

Jonny Gibbings is the author of 'Malice in Blunderland' (Cutting Edge Press) and you can follow his blog here.